Lloyd Schwartz

Classical music critic Lloyd Schwartz reviews two new compact discs of music conducted by Arturo Toscanini. Schwartz says these two discs are rare examples of Toscanini conducting live performances while still at the height of his powers.

Classical Music Critic Lloyd Schwartz reviews a new issue of a live recording of the opera "Adriana Lecouvreur" by the Italian composer Francesco Cilea. In this performance, Cilea's favorite soprano, Magda Olivero, sings the title role. This recording was made by a fan who snuck in a tape recorder to what turned out to be Olivero's farewell performance in the role.

Classical music critic Lloyd Schwartz reviews a new release of piano works by the French composer Alkan. Although he's little known now, Lloyd says during the 19th century, Alkan reputation, both as a composer and as a performer, rivaled that of Liszt.

Classical music critic Lloyd Schwartz reviews the latest recording of Yugoslavian pianist Dubravka Tomsic. Tomsic launched her career in America as a teenager, was a student of Arthur Rubinstein, played with the New York Philharmonic, and made her debut at Carnegie Hall before returning to Yugoslavia. Last year she was rediscovered in America on a number of critically acclaimed compact discs. On July 10 she returns to America to open the Newport Festival.

The American composer was born in the 19th century, and has won nearly every major music award. At 93, he still lives in New York's Chelsea Hotel. Classical music critic Lloyd Schwartz reviews a new album of his symphonic and operatic works.

Classical music critic Lloyd Schwartz reviews the soprano's new recital album on Nonesuch. He says the album succeeds both because of its performances and program.

Classical music critic Lloyd Schwartz reviews a recording of the recent opera Valis, based on Philp K. Dick's novel of the same name. He says much of the music is haunting, but is often repetitive and sentimental. Yet it's still a beguiling piece of wizardry.

Classical music critic Lloyd Schwartz recently attended the Boston Early Music Festival, which featured all-day programs of performances and workshops. He has this review.

Classical music critic Lloyd Schwartz reviews a new live recording of composer Bedrich Smetana's patriotic music, including his oft-performed "Ma Vlast."

Classical music critic Lloyd Schwartz reviews a CD of Olaf Bar's performances of selections from Mozart's operatic oeuvre. Schwartz says Bar's lower range is limited, causing him to growl and bark. It's an affect that might work for a full production, but is distracting in a recital setting.