Theater

Burstein has played a wide range of roles, from casino owner Lolly Steinman in HBO's Boardwalk Empire, to his current role as Buddy Plummer in the Broadway revival of Follies. He talks about his lengthy career on stage, screen and television.

A young orphan stumbles on a mystery while living in a Paris train station.

Songwriter Hugh Martin co-wrote the Christmas tune that Judy Garland made famous in the 1944 classic Meet Me in St. Louis. Martin, who recently released a memoir, explains how he came up with his famous lyrics.

A father (George Clooney) struggles to reassess his past and navigate his future after his wife is gravely injured in a water-skiing accident. Critic David Edelstein says the film blends broad comedy with the sting of tragedy.

Lars von Trier's Melancholia stars Kirsten Dunst and Charlotte Gainsbourg as sisters who undergo a psychological transformation as disaster approaches. Critic David Edelstein says the film is a sublime fusion of form and content with a truly Wagnerian climax. (Recommended)

In Drake Doremus' drama Like Crazy, a young couple is forced to separate when one of them violates the terms of her student visa. Movie critic David Edelstein says the movie is painful and compelling -- and reminds him of Richard Linklater's Before Sunrise.

At its core, John le Carre's Tinker, Tailor, Soldier, Spy isn't really about espionage, says critic John Powers. The 1974 novel, adapted for the screen in 1979 by the BBC, is actually about secrets and lies and shifting identities -- which is to say, a metaphor for our own daily lives.

MacFarlane is best known for creating the animated TV shows Family Guy, American Dad! and The Cleveland Show. But he's also a singer whose new album features songs from the Great American Songbook.

Drive is what Driver does, and driven is how audiences will feel after a screening of Nicholas Winding Refn's brutally moving thriller, which stars Ryan Gosling, Carey Mulligan, Bryan Cranston and Albert Brooks. (Recommended)

Classical music critic Lloyd Schwartz just attended two productions of Porgy and Bess: an operatic performance at Tanglewood and a musical-theater version in Cambridge, Mass. He says it can work either way, "as long as Gershwin's great score remains its heart and soul."

In 1983, critic John Powers panned the Pacino film, saying it was trashy and shallow. But he recently watched the film again, and says that in retrospect, he can see how the film burned its way into the national psyche.

Raoul Ruiz's 4 1/2 hour Portuguese/French melodrama -- a puppet theater of the upper class -- won't be everybody's cup of tea. But critic David Edelstein says the film's haunting mix of distance and intimacy makes the hours fly by.

Emma Stone and Viola Davis star in the film adaptation of Kathryn Stockett's best-selling novel about a white woman who sets out to tell the story of black domestic servants in 1960s Mississippi. Critic David Edelstein says that both Stone and Davis pull off stunning performances.

Fred Astaire and Ginger Rogers weren't the only famous Hollywood musical team of the 1930s. Jeanette MacDonald and Nelson Eddy also starred in a series of operettas. But classical music critic lloyd Schwartz says the couples achieved their success in quite opposite ways.

Senso, a 1954 Italian political melodrama, and Two Sisters From Boston, a 1946 Hollywood comedy, couldn't be more different — except they're both set at the opera. Classical music critic Lloyd Schwartz says he loves them both.

The political satirist and comedian talks about his Broadway performance (and performance anxieties) and about his recent segments on The Colbert Report featuring Sarah Palin and Anthony Weiner.

The third season of HBO's vampire soap True Blood is now out on DVD. TV critic David Bianculli says the show's success proves that vampires -- more than werewolves, zombies or witches -- will turn out to be the most durable media monsters of all.

Terrence Malick's film, part creation epic and part Oedipal family drama, recently won the Palme d'Or -- the top prize at the Cannes Film Festival. Critic David Edelstein says reaction to the film has been mixed, but he "recommends the experience unreservedly."

The film critic reports his impressions of this year's Cannes Film Festival. On Powers' list of notable films: Terrance Malick's Tree of Life, about a young boy growing up in 1950s Texas, and an Iranian film by a director who was explicitly told by the Iranian government not to make films.

The director's latest comedy stars Owen Wilson as a time-traveling writer who winds up in Paris, in the 1920s, alongside Fitzgerald, Hemingway and Stein. Critic David Edelstein says Wilson's acting is superb -- and the film recalls Woody Allen's earliest days in film.