Theater

Film critic Stephen Schiff says that the new take on the comic book superhero is downright Wagnerian. Despite minor pacing issues and a few weak plot points, it's a bleak, operatic take on film noir, with excellent performances throughout.

TV critic David Bianculli reviews First Born, about the unlikely birth of a half-human, half-gorilla hybrid. He says it has an absurd sense of humor and horror -- even the theme music is weird.

John O'Keefe returns to Fresh Air to perform a selection from his one-man show, Shimmer. This time, he talks about the brutality of living in a youth detention center.

Playwright John O'Keefe has a new one-man show called Shimmer, about his adolescence. He joins Fresh Air to perform a short excerpt.

Film critic Stephen Schiff says the new, boarding-school themed movie never really allows star Robin Williams to cut loose; the younger actors, while good, exist in a kind of bland never-land. It's a departure from the normal Hollywood summer fare, but audiences will be turned off by the film's self-righteous piety.

The New York-based Hughes is known for her daring, lesbian-themed work. Critic Laurie Stone reviews her newest piece, about the incestual relationship between a mother and daughter.

Critic Owne Gleiberman reviews Steven Spielberg's Indiana Jones and the Last Crusade. He says the film is a retread of the first movie in the franchise, but is invigorated by the addition of Sean Connery as Indy's father.

Television critic David Bianculli reviews the series finale of the glossy crime show. He says the ending was as contrived as the past few seasons -- big on action, short on character development.

Jillette, along with his silent partner Teller, created his magic act partly in opposition to the comedy and theater performances he disliked. His duo's edgy, sometimes violent, performances have won Emmy Awards and spawned companion books and videos. Jillette takes pride in maintaining an aggressive persona while treating his audience with respect.

Critic Ken Tucker, a big fan of rap music, missed the theatrical release of Run D.M.C.'s film. He had high hopes it might capture the spirit of black action movies of the 1970s; but after watching the home video release, Tucker says the movie failed to live up to its promise.

Family Ties and Moonlighting both ended recently. TV critic David Bianculli says their final episodes highlight the programs' strengths and weaknesses.

Film critic Stephen Schiff says the new film, based on W.P. Kinsella's baseball-themed novel Shoeless Joe, is designed to make men cry, while still preserving their masculinity. It's skillfully made and acted, but Schiff thinks Field of Dreams is sappy and, ultimately, pointless.

Linguist Geoff Nunberg reflects on the use of racist terminology in the musical Show Boat. He says that later revisions were still problematic: they illustrated the enduring assumption that white liberals can accurately and authentically portray African American culture.

Ken Tucker reviews the home video release of I Wanna Hold Your Hand, about a group of teenage Beatles fans in New Jersey. The film, directed by Robert Zemeckis, was a commercial fop, but Tucker, who says it's insightful without indulging in cliches, hopes it will find a new audience on tape.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

The drag artist, also known as Lipsynka, has a new one-person show in which he mimes the lyrics to women pop stars and fame-obsessed divas. Critic-at-large Laurie Stone calls the performance lovely and purposefully crude.

Film critic Stephen Schiff says that Louis Malle's Murmur of the Heart was overshadowed by the string of exceptional movies also released in 1971. The film is shocking in its sexuality and subtlety.

TV critic David Bianculli reviews the network's latest pilots, including a ghastly sitcom, a thirtysomething ripoff, and a magical hour from the Muppet's creator.

Critic Ken Tucker reviews the home video release of The Great Ziegfeld, a biopic about the famed impresario. The film won the Academy Award for Best Picture, an honor Tucker says was undeserved. Yet the film is fun, despite some slow moments, and paints a clear picture of a bygone era of of Hollywood.

Film critic Stephen Schiff admits he's instantly charmed by movies about unfamiliar worlds. He says the new road movie Powwow Highway, about two American Indians confronting the development of tribal lands, has promise, but is ineptly written and directed. But, somehow, Schiff didn't mind watching it.