Theater

Critic and homeowner Ken Tucker reviews an instructional video about basic home repair, which enthralled him with the actors' calm, zombie-like performances. Tucker also recommends VHS releases of Cry Freedom and Tampopo.

Film critic Stephen Schiff says that Michael Keaton is too good an actor to star in Clean and Sober, a movie that focuses more on problems than characters. Schiff says the film feels like it was made for TV, rather than the big screen.

Accomplished stage and screen actor Simon Callow wrote a biography of Charles Laughton, from whom he drew tremendous inspiration. Callow says Laughton's skill in part stemmed from the late actor's self-hatred and closeted homosexuality.

Classical musical critic Lloyd Schwartz says the new CD, The Bernstein Songbook, avoids the composer's orchestral flops, instead featuring excerpts from his exuberant operas and musicals.

Lumet is known for completing movies quickly and under budget. He's made 38 films in 30 years -- a pace typically associated with the studio system of early Hollywood. He joins Fresh Air to discuss the consistency of American actors, including stars like Al Pacino and Henry Fonda, and the production of several of his classic movies.

Critic David Bianculli says the cable network's new made-for-TV movie is great, thanks to its excellent performances, photography, and ghastly concept. But the lackluster script keeps Gotham from being a classic.

Martin Scorsese's new movie, The Last Temptation of Christ -- adapted from a novel by Nikos Kazantzakis -- takes its cues from old western movies. Film critic Stephen Schiff says the director evangelizes through the back door, convincing us that we really are watching the greatest story ever told.

Critic-at-large Laurie Stone reviews this year's batch of theater festivals in western Massachusetts. She was especially taken by a production of Bertolt Brecht's Resistible Rise of Arturo Ui, which recasts Nazis as Chicago gangsters.

"Berlin" and "American Theater Songs" are now available on a single CD, featuring Weill's wife and collaborator Lotte Lenya. But some of the songs have been cut or edited for brevity. Classical music critic Lloyd Schwartz calls that decision "immoral," and says the original LPs are now more essential than ever.

Ken Tucker recommends the home video release of Near Dark, a vampire movie directed and cowritten by Kathryn Bigelow. Dark Eyes and Wall Street are also worth watching.

Now in her 80s, Frances Williams is still acting -- long after many of her peers have retired. She has a storied career in theater and film, and helped found nine theater companies. An advocate for meaningful roles for African Americans, she now costars in the television show Frank's Place.

The success of Platoon in theaters has led to the development of several television shows about the Vietnam War. Some viewers might be fatigued by their sheer number; for them, TV critic David Bianculli recommends HBO's Vietnam War Stories.

Critic Ken Tucker's disappointment in a VHS guide to blackjack dashed his dreams of becoming a professional gambler. At least he can recommend some solid home video releases to watch this summer.

Actor Clint Eastwood is known for finishing movies quickly and under budget -- that way, he can focus his energies on his pet projects. Film critic Stephen Schiff says the new Dirty Harry movie, The Dead Pool, is an example of Eastwood's sometimes slipshod work.

Foote is best known for writing the screenplay for To Kill a Mockingbird. A new book compiling the first four plays of his Orphan's Home series, called Roots in a Parched Ground, has just been published.

Film critic Stephen Schiff reviews A World Apart, about a white anti-apartheid activist whose family needs her more than the movement does. While the film has a few missteps, Schiff says it's directed with a steady hand.

TV critic David Bianculli reviews the police procedural, now in its second season. He admires how the show takes its time with each storyline, exploring one over the course of several episodes -- and often featuring long-term guest stars.

Critic-at-Large Laurie Stone looks at the dance and choreography of Mark Morris, the young (31) Seattle dancer and choreographer who is one of the most commissioned and sought-after dancers in America and Europe.

Singer Susannah McCorkle performs the last of her tributes to the composer Irving Berlin.

Classical music critic Lloyd Schwartz reviews a new CD featuring French soprano Renée Doria. The selections were recorded between 1944 and 1970.